We are conducting academic research on TikTok Politics. In light of the ongoing discussions about the geopolitics of TikTok, we decided to share some preliminary results about TikTok ??? has actually been used to discuss US politics over the past two and half years
The metadata analyzed here—219,787 tiktoks from 1,767 distinct accounts—is only a small fraction of our full dataset. Our goal in this document is to minimize “false positives,” so we only include tiktoks created by accounts that we are very confident are “political.”
Among these 1,767 dedicated political TikTok accounts, there has been a massive increase in production since the onset of the coronavirus pandemic. Although our time frame ranges from January 2018 to the end of June 2020, the majority of tiktoks in our analysis were created in just the final three months.
We divide our analysis into left-leaning and right-leaning accounts. The most challenging machine learning classification step was differentiating “political” from “non-political” accounts. Again, we set a high threshold for the former category for this analysis. After an iterative process of hand-coding accounts, evaluating the out-of-sample accuracy of our classifier, and coding more edge cases, our present classifier achieves XXXX out-of-sample accuracy at the level of the individual tiktok. For an account to be included in this analysis, our classifier has to be “70% certain” that at least 90% of that account’s tiktoks are political.
After this aggressive step, it is straightfoward to code the remaining accounts as left- or right-leaning. Many of the more occasionally political tiktok accounts have less consistent or more esoteric ideological perspectives, posing a challenge for future analysis.
Here, however, we identify 794 right-leaning and 973 left-leaning accounts. These two ideological clusters follow a similar trajectory in tiktok production until the beginning of widespread lockdowns in March 2020, at which point the left cluster begins to take off. The Black Lives Matter protests that began in May 2020 reinforced this trend; the final week of May saw roughly twice as many left-leaning tiktoks as right-leaning tiktoks. The two trends have since drawn closer together.
However, there is a much smaller disparity in the consumption of tiktoks by these accounts. The “Weekly Plays” tab shows the right-leaning cluster lagging the left-leaning cluster only slightly; the two groups saw almost exactly the same number of plays in the final week of May, and the right-leaning cluster has in fact proven more popular since.
We also provide descriptive analysis in the adoption of various political hashtags and the words used in the account bios (captured in late June) and words in the tiktok descriptions. These are useful for checking the face validity of our results, and track the major political trends in US politics during this time period.
We also produce a “Mentions Network” that plots duets and tiktok mentions. Fine-grained inference is difficult with this graph, but the overall network structure indicates a higher level of cross-ideological contact than is generally observed on other social media platforms (cross-ideological contact is colored in purple). This reflects the way that the political tiktokers take advantage of the platform’s affordances (like the duet function) to argue with or “dunk on” their ideological opponents. The lower-left discourse cluster which emerges in the network graph are the so-called political hype houses, an association of political tiktokers who decide to produce content together and often engage in “debates” with rival hype houses from opposing political views. The upper-right cluster in the network graph comprises a section of people of color, both from the left and right, often talking about issues around the recent wave of black lives matter protests.
Cross-ideological contact is often seen as normatively desirable (in opposition to the dreaded “echo chamber”), but we caution that these conversations are often far from deliberative. A toxicity scoring of the transcripts (obtained via Mozilla’s DeepSpeech) with the help of Google’s Perspective API reveals that transcripts of right-leaning videos are somewhat more toxic on average when they mention left-leaning accounts. But tiktokers do not just use speech to communicate their support or disdain for other users and ideas. This is illustrated in the “Top TikTok Music” plot. These “sounds” are a novel technological affordance. They represent “meme formats” encoded directly into the metadata of the platform. Each user can choose a “sound” from TikTok’s library and instantiate the associated meme through a combination of external images and their own bodily performance. These “embodied memes” are rich with social information but light on deliberative, reasoned discussions. Perusing the tiktoks using the sound from Tekashi 6ix9ine’s song (?) “Gooba” is informative.
We are giving a presentation of our expanded results at the 2020 PACSS Conference hosted by Northeastern University on August 13; we encourage interested readers to attend. We have also shared a condensed version of our theoretical framework for understanding the affordances of TikTok.
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